Perceived balance and the overall weight of a composition are key to how Keith Proctor sees his giclee on board limited edition pieces pictorially panning out from the moment he approaches his chosen palette and subject matter. beginning his tried and tested illustrative process with a charcoal sketch, thereafter the critically-acclaimed Proctor proceeds to make a play for the oils; and traditionally works with a mirror behind him. The applied method in his seeming madness being that this enables him to check his progress at different junctures, care of glancing over his shoulder. All the relevant graphic boxes have been reassuringly ticked in Proctor’s already much-talked about new Spring 2018 iteration, entitled ‘Out to Lunch’, which pictorially concentrates its efforts on the enigmatic vision of a young boy feeding a gaggle of expectant geese. Do, please talk to us today, to arrange ownership of this melancholy 22” x 22” study, while most of the 195 artist-signed examples remain.