A typical high street scene which all of us can immediately identify and resonate with marks the illustrative end for a contemporary landscape artist who’s become synonymous with a more genteel, in-tune with the common people visual perspective on the world at large over the last 40-odd years since he’s been turning his gifted hand to such universally welcome endeavours. It’s with sadness that Paul Horton has announced his decision to wind up his hugely successful fine art-creating career at the end of this year, with this Autumn 2016 portfolio release (entitled, ‘So Far, So Good’) seemingly his graphic swansong. Lifted from it is this delightful hand-signed giclee on canvas limited edition study, itself going by the name of ‘Friday Street’, and which settles its provenance on a traditional, bustling street scene which greets any number of us any day of the week when we duck into our nearest and local townscape. To be in with a shout of ownership – during what’s set to be a surge of renewed interest in Horton’s works given his public announcement – we advise those keen to contact us at their first convenience so as not to miss out.